a bsi, M. (2010). The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \. test, 21(83), 1-26. doi: 10.21608/sjam.2010.136356
munzer a bsi. "The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \". test, 21, 83, 2010, 1-26. doi: 10.21608/sjam.2010.136356
a bsi, M. (2010). 'The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \', test, 21(83), pp. 1-26. doi: 10.21608/sjam.2010.136356
a bsi, M. The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \. test, 2010; 21(83): 1-26. doi: 10.21608/sjam.2010.136356

The Function of the couplet in English Poetry: A Case Study of the Renaissance Patterns \

مجلة بحوث کلية الآداب . جامعة المنوفية
Article 11, Volume 21, Issue 83, October 2010, Pages 1-26    PDF (527.47 K)
Document Type: المقالة الأصلية
DOI: 10.21608/sjam.2010.136356
Author
munzer a bsi*
faculty of arts and humananities
Abstract
And the first distance for the most part goeth all by distickt’~ or coi~ples of verses agreeing in one cadence, and do pass so speedily away and so often return again as their turn is never lost, nor out of the ear, one couple supplying another so ... suddenly. This proportion, Puttenham adds, is “the most vulgar [native] proportion of distance or situation employed by Chaucer in his Canterbury tales and John Gpwcr in all his works”
Keywords
a case study of the renissons; coupletin english poiry; english poetry
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