الأداء المسرحي المنفرد لهيثرر رافو "تسعة أجزاء من الرغبة": قصة الحرب الصادمة

Works cited

Agamben, Giorgio. Remnants of Auschwitz: The Witness and the Archive. Translated by Daniel Heller-Roazen. New York: Zone Books, 1999.

Beach, Maria. “9 Parts of Desire (review).” Theatre Journal, Vol. 58, No. 1 (March 2006): 102-3.

Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press, 1996.

_____. Trauma: Explorations in Memory. Baltimore: Johns Hopkins University Press, 1995.

Culbertson, Roberta. “Embodied Memory, Transcendence, and Telling: Recounting Trauma, Re-Establishing the Self,” New Literary History, Vol. 26, No. 1 (Winter 1995): 179.

Cooke, Miriam. Women and the War Story. Berkeley: University of California Press, 1996.

Felman, Shoshana. “Education and Crisis, or the Vicissitudes of Teaching.” Trauma: Explorations in Memory, edited by Cathy Caruth, John Hopkins University Press, 1995, pp. 13-60.

Felman, Shoshana and Dori Laub, M.D. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge, 1992.

Hartman, Geoffrey. “Reading the Wound: Testimony, Art and Trauma.” The Longest Shadow: In the Aftermath of the Holocaust. Bloomington: Indiana University Press, 1996.

Herman, Judith Lewis. Trauma and Recovery. New York: Basic Books, 1992.

Hunt, Krista. “‘Embedded Feminism’ and the War on Terror.” In (En)Gendering the War of Terror: War Stories and Camouflaged Politics, edited byKrista Hunt and Kim Rygiel, 51-71. Aldershot, UK: Ashgate, 2006.

Hunt, Krista, and Rygiel, Kim. “(En)Gendered War Stories and Camouflaged Politics.” In (En)Gendering the War of Terror: War Stories and Camouflaged Politics, edited by Krista Hunt and Kim Rygiel, 1-26.Aldershot, UK: Ashgate, 2006.

Isherwood, Charles. “A Solitary Woman, Embodying All of Iraq.” The New York Times, Theater Section, October 14, 2004.

LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins University Press, 2001.

Laub, Dori. “Bearing Witness, or the Vicissitudes of Listening.” Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, edited by Shoshana Felman and Dori Laub, Routledge, 1992, pp. 57-74.

---. “Truth and Testimony: The Process and The Struggle.” Trauma: Explorations in Memory, edited by Cathy Caruth, John Hopkins University Press, 1995, pp. 61- 75.

Luckhurst, Roger. The Trauma Question. London: Routledge, 2013.

Masmoudi, Ikram. “Portraits of Iraqi women: between fiction and testimony.” International Journal of Contemporary Iraqi Studies, Vol. 4, No. 1 & 2 (2010): 59-77.

Najjar, Michael Malek. Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present. Jefferson, N.C.: McFarland & Company, Inc.,2015.

Pearson, Rick. “Bush: Terror war can’t be won.” Chicago Tribune, August 31, 2004.

Raffo, Heather. Author’s Note to 9 Parts of Desire, 4-5. New York: Dramatists Play Service, 2006.

Raffo, Heather. 9 Parts of Desire. New York: Dramatists Play Service, 2006.

Raffo, Heather. “About 9 Parts of Desire.” Accessed December 8, 2018. http://www.heatherraffo.com/9parts.html

Romanska, Madga. “Trauma and Testimony: Heather Raffo’s 9 Parts of Desire.” Alif: Journal of Comparative Politics, Vol. 30 (2010): 211-40.

van der Kolk, Bessel A., and Onno van der Hart. “The Intrusive Past: The Flexibility of Memory and the Engraving of Trauma.” In Trauma: Explorations in Memory, edited by Cathy Caruth, 158-82. Baltimore: John Hopkins University Press, 1995