Enriching Khayameya Artifacts with Optical Fibers Using Color Contrast between Shape and Background | ||
| International Design Journal | ||
| Article 16, Volume 11, Issue 3 - Serial Number 40, May and June 2021, Pages 197-218 PDF (2.21 M) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/idj.2021.162519 | ||
| Authors | ||
| Doaa Nabil Ali Salama1; Safaa Fathy Anwar Abd Elwaly2 | ||
| 1Assistant Prof. of Clothing and Textile Department of Home Economics Faculty of Specific Education, Minia University, drdoaa61@yahoo.com | ||
| 2Lecturer of Clothing and Textiles Department of Home Economics Faculty of Specific Education, Minia University, | ||
| Abstract | ||
| Khayameya art is considered one of the arts of heritage originality as a traditional craft spread in popular places in Egypt, and the two researchers resorted to the use of neutral colors (white - black - gray) in the production of Khayameya crafts. Using optical fibers in the production of home furnishings of heritage value with a contemporary vision in line with the requirements of the modern era in the implemented models, The aim of the research is to create tents' artifacts with neutral colors and to employ the principle of color contrast between the shape and the floor, and to enrich them with optical fibers to raise the value (aesthetic and functional) of the art of tents, The importance of the research is due to presenting new ideas for the art of Khayameya to revive the ancient Egyptian heritage with a contemporary vision, The two researchers designed and implemented 4 models of various Khayameya artifacts, and the research sample consisted of a group of consumers whose ages range between 25-40 years and their number (45) women in Minya Governorate, and the research followed the descriptive analytical approach. Research problem: The research problem can be formulated in the question: What is the possibility of benefiting from employing the principle of color contrast between the shape and the ground, using neutral colors in the production of tents and enriching them with optical fibers? Objectives: Preserving the survival and continuity of the art of Khayameya and developing it in a modern way.Implementing tents' artifacts by using neutral colors and moving away from traditional colors in order to raise the value (aesthetic and functional) of Khayameya art.Using the principle of color contrast between shape and ground in the production of Khayameya artifacts in order to raise the value (innovative, aesthetic and functional) of Khayameya art.Enriching Khayameya crafts with optical fibers to raise the (innovative, aesthetic and functional) value of Khayameya art.Measuring the opinions of consumables in the modernly executed Khayameya crafts. Methodology : The study followed the descriptive and analytical approach. Results: The presence of statistically significant differences between the four models implementing Khayameya artifacts in achieving the innovative aspect according to the opinions of specialists.There are statistically significant differences between the four models executed for the Khayameya artifacts in achieving the aesthetic aspect, according to the opinions of specialists. The existence of statistically significant differences between the four models implementing the Khayameya artifacts in achieving the functional aspect according to the opinions of specialists. The existence of statistically significant differences between the four models implementing the Khayameya artifacts in achieving the functional aspect according to the opinions of specialists. The existence of statistically significant differences between the four models implementing Khayameya artifacts in achieving the technical side according to the opinions of specialists. The existence of statistically significant differences between the four models implementing Khayameya artifacts according to the opinions of specialists | ||
| Keywords | ||
| Color Contrast; Shape and Background; Khayameya Artifacts; Optical Fibers | ||
| References | ||
|
1. Ibn Manzoor, Jamal al-Din Muhammad Ibn Makram the African-Egyptian, Lisan al-Arab, Part 11, 2010. 2. Ibn Manzoor: Jamal al-Din Muhammad bin Karam al-Ansari: Lisan al-Arab, Part 17, The Egyptian General Foundation, The Egyptian House for Translation and Publishing, Egypt, 2014. 3. Ahmad Abd al-Latif al-Baghdadi: Photography between technique and expression in modern art, a study in techniques and color expression with water media, Nancy Damietta Library, 2006. 4. Esraa Fadel Omran: The Aesthetics of Chromatic Contrast in Kenneth Price Ceramics, Babylon University Journal for the Humanities, College of Fine Arts, Volume 28, Issue 1, February 2020. 5. Mr. Saleh Al-Kasheth and Others: The Relationship between Form and Ground in Modern Art and Its Use in the Art of Painting, Journal of Education Research, Mansoura University, Faculty of Specific Education, Issue 34, Pages 408-421, April 2014. 6. Bismarck El Saifi: The Aesthetic and Construction Foundations of Design, Egyptian Books, Cairo, 1998. 7. Tofaha Musa Abdel Hamid: Designing Protective Jackets Using Optical Fiber Technology for Vehicle Drivers to Reduce Road Accidents, The First International Scientific Conference at the Faculty of Specific Education in Qena under the title "Specific Education and the Quality of Community Work - A New Vision" 25-27 November 2017. 8. Hussein Muhammad Muhammad and others: Making use of the Khayameya method in implementing innovative designs for the decoration of women's headwear, Journal of Education Research, Mansoura University, Faculty of Specific Education, Issue 19, pages 338--363, January 2011. 9. Hanan Abd al-Rahman Muhammad: The testimony is given by the remnants of fabrics and the art of Khayameya in the drafting of contemporary murals, Journal of the Faculty of Education, Assiut University, Volume 33, Issue 9, November 2017. 10. Dalal Abdullah Nami Al-Sharif: “Light Technology in Textiles as a Source for Mannequin Design”, PhD Thesis, Department of Apparel and Textile, College of Education for Home Economics, Umm Al-Qura University, 2009. 11. Rehab Rajab Mahmoud Hassan: Using the principle of color contrast aesthetically and functionally to develop innovative fashion designs for women in light of the Wahshiya School, Mansoura Conference, Faculty of Specific Education, Mansoura University, 2018. 12. Shawky Ismail: Design (Its Elements and Foundations in Plastic Art), The Egyptian Book House, Cairo, 2000. 13. Shawqi Ismail: Design “Its Elements and Foundations in Plastic Art”, Treasures of Knowledge, 3rd edition, duplicated, Jeddah, 2010. 14. Salah Hassan Naji: Aesthetic and Functional Values of Color and How Utilizing It in Designs of Weaving Fabrics, Journal of Human Sciences, University of Babylon, College of Education for Human Sciences, Issue 20, Pages 167-172, 2014. 15. Ghada Abdel Moneim: The Plastic Role of Light in Contemporary Handweaves, The Ninth Scientific Conference, Faculty of Art Education, Helwan University, 2006 16. Kadria Tawakkul Al-Bendari: Traditional Crafts in Egypt "The Art of Making Khiamia in Egypt", the Sixteenth Congress of the General Union of Arab Archaeologists: Studies in the Antiquities of the Arab World, Sharm El-Sheikh, Pages 1047-1076, November 2013. 17. Madeleine Anwar Riad: The Aesthetic Dimensions of Khaymiyyah Art for Creating Contemporary Artifacts, Journal of Research in Art Education and Arts, Helwan University, Faculty of Art Education, Department of Education Sciences, Issue 46, Pages 1-14, 2015. 18. Yasser Abdel-Rahman Khalaf: Information and Communication Technology, Al-Manhal, Cairo, 2017. 19. Kami Emirhan: IFIBER OPTICS IN TEXTLE "2005. Tao,Xiaoming : " The Textile Institute Smart Fibers Fabrics & Clothing " – Wood head Publishing LTD – US – 2005 | ||
|
Statistics Article View: 450 PDF Download: 436 |
||
