دور الدراما السينمائية المصرية في تشکيل إدراک الشباب الجامعي نحو قيم الانتماء والوطنية- دراسة تحليلية وميدانية

-          Onoriu Colăcel, The Romanian Cinema of Nationalism: Historical Films as Propaganda and Spectacle (USA: McFarland Publishing,2018) p.182.

-           Hugo Frey, Nationalism and the Cinema in France: Political Mythologies and Film Events (USA: Berghahn Books, 2014) P. 16.

-          Nurith Gertz, Palestinian Cinema: Landscape, Trauma and Memory: Landscape, Trauma and Memory (UK: Edinburgh University Press, 2008) p. 59.

-          Hossein Shahin Karbalaeetaher, Cinema and Society in the Light of Emile Zola’s Naturalism, Cinej Cinema Journal, Vol. 8.1, ISSN, 2158-8724, 2020.

-           Miracle Ekpereamaka Nwokedi (2018): “Film as a Mass Medium: Audience Perception of Home Video Films as Representation of Realities in Nigeria (Study of Residents in Awka South)”, MPRA Paper, No. 89256,

^-  Fariza Hanis Abdul Razak& Nurul Asyikin Deraman, “A Study of Unity and Patriotism Elements in Film Ola Bola: A Thematic Analysis”, Journal of Media and Information Warfare, Vol. 11(2), 80-107, Dec 2018.

^-Abdel Moneim, N. (2018). Dawr alsiykudrama fi tanmiat alaintima' alwatanii ladaa al'atfal almughtaribin almisriiyina: dirasat tajribiat 'iiklinikiati, almajalat alearabiat lidirasat wabihawth aleulum altarbawiat wal'iinsaniati, 11 .

^-  Dongjin Yang, Xueying Zhong,” The Perception of Film Attractiveness and Its Effect on the Audience Satisfaction, Intention and Investment”, Journal of Service Science and Management, 9, 21-27, 2016.

^-Al-Abd Al-Razzaq, A. (2016). 'athar al'aflam alsiynamayiyat ealaa alshabab al'urduniyi mqarntan biwasayil al'iielam al'ukhraa, risalat majstir, ghyr manshura (al'ardana: jamieat alshrq al'awsat, kuliyat al'iielam, qism Al'iielam).

 -  Danbello Ibrahim Ahmadu& Dakogol Bala Joshua “The Role of Indigenous Films in Preserving Culture in Nigeria: An Appraisal of Nollywood Home Videos, International Conference on Communication, Media, Technology and Design Dubai – United Arab Emirates, May 2015.

^-  Saied R. Ameli, Syed Mohammed Marandi, Sameera Ahmed, Seyfeddin Kara& and Arzu Merali," The British Media and Muslim Representation: The Ideology of Demonisation", a research published by Islamic Human Rights Commission, ISBN 1-903718-31-7, 2007.

^-Lafza, S. (2020). alqiam alaijtimaeiat fi aldrama altiliifziuniat aljazayiriatu, dirasat tahliliatan ealaa eayinat min halqat musalsal "awlad alhalal", majalat aladab waleulum alaijtimaeiati, 17.

 -  Norirwani Mohd Redzuan, “The Portrayal of Patriotism and the Element of Unity in American Film: A Case Study of Fury”, Journal of Media And Information Warfar, Vol. 12 (2), 16-34, Dec 2019.

^- Abd Allatif, N. (2019). Tawzif alsiynama fi almajal alsiyasii wa'athrih ealaa alwaeyi alsiyasii fi almujtamae almisrii fi alfatrat 2012 'iilaa 2018mi, almarkaz aldiymuqratiu alearabii lildirasat alsiyasiati, alaiqtisadiat walsiyasiat.

 -  Ines Cordeiro da Silva Dias, Film and Politics in the Lusophone World (1960s— 1970s), P.HD (USA: University of California, Los Angeles, Hispanic Languages and Literatures Department)  978-1-339-86532-4, 2016.

^-Zaki, F. (2014). ealaqat taearad almurahiqin lidirama almukhabarat bimustawaa alaintima' ladayhima: dirasat maydaniat, majalat dirasat altufawlat.

^-Albna, D. (2014). muealajat mafhum alhuiat alwataniat fi aldarama alsiyasiat fi altilfizyun almisrii, majalat bihawth alealaqat aleamat fi Alshrq Al'awsat.

^-  Jeffery A. Gliner, George A. Morgan, Nancy L. Leech, Research Methods in Applied Settings: An Approach to Design and Analysis, second edition, (USA: New York, Library of Congress, 2011), p.90.

- Ismail, M. (2011). manahij albahth al'iielamaa, altibeat al'uwlaa, (Alqahra: Dar Alfikr Alearabii, 98.

^-  James W. Drisco & Tina Maschi, Content Analysis (USA: New York, Oxford University Press, 2016), p.109.

^-  David De Vaus, Surveys in Social Research, Sixth Edition (Australia: The University of Queensland, 2013), p.2.

^-Ismail, M. (2003). mabadi eilm alaitisal wanazariaat altaathiri, (Alqahra: aldaar alealamiat lilnashr waltawziei, 233.

^-Alkaritii, H. (2018). wasayil al'iielam wabina' almujtamae aldymqrati: dirasat fi dawr altilfizyunu, (al'urduna: dar almunhil lilnashr waltawziei, 71.

-Abd Aleaziz, N. (2013). Dawr aldarama almisriat fi alfadayiyat alearabiat fi nashr thaqafat alsalam ladaa tlbt aljamieata", risalat dukturah ghyr manshurati, (Alqahra: jamieat alqahirat, kuliyat al'iielam, qism al'iidhaeat waltalyfziuwn, 38.

^-Aldur, H. (2009). "mealijat al'aflam walmuslasalat alearabiat alty yuqadimuha altaliifziun almisriu limawdue taeati wa'iidman almukhadirat waealaqatiha bi'iidrak aljumhur lilwaqie alaijtimaeii lilmudamanayna", risalat dukturah ghyr manshurat, (Alqahra: jamieat Alqahra, kuliyat Al'iielam, qism al'iidhaeat waltilifziuwn, 41.

^- Richard West, Introducing Communication Theory, Fourth edition (USA: Boston, 2010), p. 38.

-  Apollos O. Nwauwa, Ogechi E. Anyanwu, Politics and Identity Formation in Southeastern Nigeria: The Igbo in Perspective (USA: lexington books, 2019) p.90

^- Alliymi, A. Nazariaat alaitisal fi alqarn alhadi waleishrina, (al'urduna: eumaan, dar alyazwry lilnashr waltawzie) 129.

^-Kafi, M. (2015). Alraay aleamu wanazariat alaitisali, (Alordon: Amman, dar Alhamid lilnashr waltawziei, 221-222.

^-Farid, D. (2016). alsuwrat aldhhnyt lilmujtamae al'iisrayiyli, (Alqahra: dar Autls lilnashr waltawziei, 45-46.

 - Pippa Norris‏& Ronald Inglehart, Cosmopolitan Communications: Cultural Diversity in a Globalized World (UK: Cambridge university press, 2009) p.220

- Arthur Asa Berger, The Mass Comm Murders: Five Media Theorists Self-destruct (USA: Row man& Little Field Publishers, 2002) p.95

^-  Miracle Ekpereamaka Nwokedi (2018): “Film as a Mass Medium: Audience Perception of Home Video Films as Representation of Realities in Nigeria (Study of Residents in Awka South)”, MPRA Paper, No. 89256.

^-  Gil Gerald N. Fuentes, Dwight Roussel Glenn M. Labilles, and Rowena Capulong Reyes, Op, Cit, p.6

^- Dongjin Yang, Xueying Zhong,” The Perception of Film Attractiveness and Its Effect on the Audience Satisfaction, Intention and Investment”, Journal of Service Science and Management, 9, 21-27, 2016.

^- Miracle Ekpereamaka Nwokedi (2018): “Film as a Mass Medium: Audience Perception of Home Video Films as Representation of Realities in Nigeria (Study of Residents in Awka South)”, MPRA Paper, No. 89256.

 - Danbello Ibrahim Ahmadu& Dakogol Bala Joshua “The Role of Indigenous Films in Preserving Culture in Nigeria: An Appraisal of Nollywood Home Videos", International Conference on Communication, Media, Technology and Design Dubai – United Arab Emirates, May 2015.

^-Qazzaz, H. (2014). "Moalajat alsiynama alriwayiyat almisriat lilqadiat alfilastiniat watathiriha ealaa aitijahat alshabab aljamieii almasria", risalat majstayr ghyr manshurati, (alqahrt: jamieat alqahirat, kuliyat Al'iielam, qism al'iidhaeat waltalifzyuwn).

 -  Amanda Nevill, “Opening our Eyes: How Film Contributes to the Culture of the UK", A report for the BFI by Northern Alliance and I psos Media CT, July 2011.

-          Tanushri Mukherjee," Emergence of Cinema as a Strong Tool of Social Change", Research Paper, GRA - Global Research Analysis, Volume: 3 | Issue: 4 | ISSN No 2277 – 8160, April 2014.