THE CERAMIC INCENSE BURNER, AS ONE OF THE SYMBOLS OF THE SAUDI FOLKLORE, BETWEEN AFFIRMING THE ARAB IDENTITY AND FACING THE CHALLENGES OF THE LABOR MARKET | ||
| International Journal of Multidisciplinary Studies in Heritage Research | ||
| Volume 2, Issue 2, December 2019, Pages 24-31 PDF (302.81 K) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/ijmshr.2019.179938 | ||
| Author | ||
| Samah Mohamed Abdel Nasser ABU ZAID | ||
| Department of Art Education, Faculty of Specific Education, Assiut University, Egypt | ||
| Abstract | ||
| Saudi folklore, with all its elements, is a rich material of great importance in the formation of cultural, artistic and social characteristics in the Arabian Peninsula, and because it possesses expressive elements of a special character, the diversity of that expression in the Saudi cultural heritage. The design elements in folk art and in all types of plastic art are the vocabulary of the form language used by the popular artist, the modern artist, the potter, the designer, and even all plastic artists, and they are called the elements of design or formation in relation to their capabilities in taking any flexible body and their ability to merge, compose and unite each other to form a form Totally for the popular artwork, but for the plastic artwork in general. Whatever those elements - the perception of the artist in general and the popular artist in particular is well-aware that helps him in the planning process and makes his work easy of course, as well as helps him in evaluating his design and development, and thus helps him in activating his popular culture among all members of society through their taste of his artistic works in the field of art. Plastic and folk art with its various branches, including porcelain. Point, line and area are among the elements that the popular artist employed in his artwork. | ||
| Keywords | ||
| The Ceramic; Incense Burner; Symbols; The Saudi Folklore; The Arab Identity; The Labour Market | ||
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