POLY CHORDS AND USE IN SOLFEGE | ||
| International Journal of Humanities and Language Research | ||
| Volume 1, Issue 2, December 2018, Pages 27-33 PDF (1.32 M) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/ijhlr.2018.180098 | ||
| Author | ||
| Fatima Mahmoud AL-JARASHA | ||
| Faculty of Music Education, Helwan University, Egypt | ||
| Abstract | ||
| The harmony is several tones that can be heard at the same time, which is either a triple of all kinds (k, p, g, n) in its basic position or with its different upheavals, and a quadruple with its five types, as Dalcruz struck it, all of these contortions are heard individually until the master’s stage, the doctoral stage comes the student listens To pluralism. | ||
| Keywords | ||
| Poly Chords; Solfege; Music; Education | ||
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