The impact of artistic and craft heritage on the works of innate artists The artist Mabrouk Ismail Mabrouk is a model "Analytical field study" | ||
| International Journal of Multidisciplinary Studies in Art and Technology | ||
| Volume 3, Issue 1, June 2020, Pages 41-55 PDF (490.99 K) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/ijmsat.2020.187845 | ||
| Author | ||
| Alaa Mohamed Mahmoud Ahmed Hassaballah | ||
| Higher Institute of Folk Arts Art academy | ||
| Abstract | ||
| The artist Mabrouk was born in the Kharga Oasis, which is the capital of the New Valley, in a path called Darb Al-Sinadieh It is one of the oldest trails in the Kharga Oasis. The artist began to express since his childhood, where the artist tells the student saying: “Oh my father, it started from my childhood, because the atmosphere around me is a human atmosphere and an emotional atmosphere, yes, and one was answering The mud that is the child and prefers to live in it and make the little statue to the extent that my father used to seek refuge in God and he was He says, “I seek refuge in God from Satan and his soldiers.” And I was so terrified by the word of Satan and his soldiers that they said that in One of the spirits of the Pharaohs rode this valley, so my mother - may God have mercy on her - took me and led me to elders because What is forbidden is desirable, my son. They look at the elf who is above me. And my father used to tie me up because I had no statues, so of course Keep in mind, I mean, why didn't my father stop me? I used to come to him for a while. I went to work for an example, to the point, my son, that I worked. The statue of the father, may God have mercy on him, and he was wearing his uncle like this, so he made it look like this, and I made the statue and I saw it NS His aunt was beaten, and he was beaten, and he said: Make a statue and make workers break it. | ||
| Keywords | ||
| craft heritage; innate artists; artist Mabrouk Ismail Mabrouk | ||
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