EXPRESSIONISM OF EGYPTIAN WOMEN IN THE FIELD OF CONTEMPORARY CERAMIC FORMATION | ||
| Journal of Arts & Architecture Research Studies | ||
| Volume 3, Issue 5, June 2022, Pages 214-226 PDF (555.5 K) | ||
| Document Type: Specialized scientific research papers | ||
| DOI: 10.47436/jaars.2022.122274.1069 | ||
| Author | ||
| Mona Mohamed Gharib* | ||
| Ceramic Sculpture, Faculty of Fine Arts, Alexandria University, Egypt | ||
| Abstract | ||
| The art of ceramic formation is one of the plastic arts types that created an opportunity for female artists to be creative through it, its continuity, and its development, so it was important to study the fine expression of women from their own perspective, and this expression represents the visual front of the plastic movements and the extent to which the Egyptian woman as a talented artist can preserve her Egyptian identity and her roots from the cultural group in this field In light of the currents of Western modernity Many names of female artists have emerged who have taken their places among men in this field without discrimination and have had a firm presence in all their works. Through an artistic analysis of selected models from the works of some of these artists, light can be shed on the importance of the presence of women as a producer of this art and what is the contributions of Egyptian women As a contemporary artists in this regard and to identify the intellectual and artistic trends and the cultural and civilizational influences of the contemporary ceramic sculpture artists in Egypt | ||
| Keywords | ||
| Expressiveness; Egyptian women; Ceramic formation | ||
| References | ||
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السروي، أسامة: المرأة المصرية والفنون الجميلة في القرن العشرين، المجلس القومي للمرأة، الطبعة الأولي، القاهرة 2008
صالح رضا: الحركة الخزفية، الهيئة المصرية العامة للكتاب 2008
أحمد الحمامصي: إبداع المرأة المصرية، مكتبة الأسرة - القاهرة 2007
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