مسرحة الشعر عند الشاعر التركى (جاهد كولبى Cahit Külebi) فى قصيدة (Cehennemde فى جهنم) | ||
| Alsun Beni-Suef International Journal of Linguistics Translation and Literature | ||
| Volume 3, Issue 2, December 2023, Pages 114-143 PDF (920.41 K) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/abjltl.2023.218858.1032 | ||
| Author | ||
| nahed mohsen* | ||
| Ain shamsuniversity- Eastern language department -faculty of alsun -tukish | ||
| Abstract | ||
| The construction of bridges from the present to the past, and the delinquency towards imitation, suggests to some the simplicity of the poem, and the simplicity of its idea, except that the embracing and interdependence of words with each other, had another opinion, conveying the recipient to an arithmetic equation that would not have occurred to his mind, except by dismantling the poem, as a child explores the game by disassembling its parts, and reassembling it, and this raging imagination in the details of the poem reinforces a great equation that carries the spectra of human conflicts through times, places, and imaginary characters, and imagination is nothing but a template in which the features of reality with its bumps and difficulties are fused. so they gathered and formed pictures of reality Living, reality is embodied in a representational display that appears to the onlookers, and appears before their eyes in the form of movements, actions, sayings, and gestures, so the poem became the result of the multiplicity of personalities and the multiplicity of places, an entity in which things embrace their contradictions, so a new form of literary arts appears and slips from the poem, with the presence of some elements and not others. In a strong way, a kind of duality appeared in the poem, referring to its appearance in a new dress, the play of life within the poem with its characters and struggles. | ||
| Keywords | ||
| place - time - characters - dramatization of poetry; conflict | ||
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