أثر متابعة ذوي الإعاقة البصرية لفيديو مصحوب بالوصف الصوتي على تفضيلهم لاستخدام هذه التقنية في الأعمال الدرامية بمصر"دراسة شبه تجريبية"

Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Zengin Temırbek uulu, Z., Ç. Sağın-Şimşek, and E. Antonova-Ünlü. "The Effect of Audio Description on Film Comprehension of Individuals with Visual Impairment: A Case Study in Turkey." British Journal of Visual Impairment (2021): 02646196211020058.

([1])Hättich, A., and M. Schweizer. "I Hear What You See: Effects of Audio Description Used in a Cinema on Immersion and Enjoyment in Blind and Visually Impaired People." British Journal of Visual Impairment 38, no. 3 (2020): 284–298.

([1])Ferziger, N., Y. F. Dror, L. Gruber, S. Nahari, N. Goren, N. Neustadt-Noy, ..., and A. B. H. Erez. "Audio Description in the Theater: Assessment of Satisfaction and Quality of the Experience Among Individuals with Visual Impairment." British Journal of Visual Impairment 38, no. 3 (2020): 299–311.

([1])Walczak, Andrzej. "Audio Description on Smartphones: Making Cinema Accessible for Visually Impaired Audiences." Universal Access in the Information Society 17, no. 4 (2018): 833–840

([1]) Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Francesca Bardini, "Audio Description Style and the Film Experience of Blind Spectators: Design of a Reception Study," Rivista Internazionale di Tecnica della Traduzione/International Journal of Translation 19 (2017): 49–73.

([1])Walczak, Andrzej, and Lorna Fryer. "Creative Description: The Impact of Audio Description Style on Presence in Visually Impaired Audiences." British Journal of Visual Impairment 35, no. 1 (2017): 6–17.

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.

([1])Romero-Fresco, Pablo, and Lorna Fryer. "Could Audio-Described Films Benefit from Audio Introductions? An Audience Response Study." Journal of Visual Impairment & Blindness 107, no. 4 (2013): 287–295.

([1]) Branje, C. J., and D. I. Fels. "LiveDescribe: Can Amateur Describers Create High-Quality Audio Description?" Journal of Visual Impairment & Blindness 106, no. 3 (2012): 154–165.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1])Schmeidler, E., and C. Kirchner. "Adding Audio Description: Does It Make a Difference?" Journal of Visual Impairment & Blindness 95, no. 4 (2001): 197–212.

([1])Walczak, Andrzej. "Audio Description on Smartphones: Making Cinema Accessible for Visually Impaired Audiences." Universal Access in the Information Society 17, no. 4 (2018): 833–840.

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1]) Branje, C. J., and D. I. Fels. "LiveDescribe: Can Amateur Describers Create High-Quality Audio Description?" Journal of Visual Impairment & Blindness 106, no. 3 (2012): 154–165.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Romero-Fresco, Pablo, and Lorna Fryer. "Could Audio-Described Films Benefit from Audio Introductions? An Audience Response Study." Journal of Visual Impairment & Blindness 107, no. 4 (2013): 287–295.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Walczak, Andrzej, and Lorna Fryer. "Creative Description: The Impact of Audio Description Style on Presence in Visually Impaired Audiences." British Journal of Visual Impairment 35, no. 1 (2017): 6–17.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Hättich, A., and M. Schweizer. "I Hear What You See: Effects of Audio Description Used in a Cinema on Immersion and Enjoyment in Blind and Visually Impaired People." British Journal of Visual Impairment 38, no. 3 (2020): 284–298.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1]) (https://www.emro.who.int/egy/egypt-events/world-sight-day.html

- Emmara, A. (2019). "'athar almukawinat almadiyat almalmusat limajalaat almakfufin fi yusr qarayatihim waistikhdamihim liha", dirasat shibh tajribiati, risalat dukturah ghayr manshuratin, jamieat Alqahira, kuliyat Al'iielami, qism alsahafati.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1]Hättich, A., and M. Schweizer. "I Hear What You See: Effects of Audio Description Used in a Cinema on Immersion and Enjoyment in Blind and Visually Impaired People." British Journal of Visual Impairment 38, no. 3 (2020): 284–298.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156..

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.).

([1])Caro, M. R, Testing audio narration. “The emotional impact of language in audio description, Perspectives.” 24(4) (2016): 606-634.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatregoers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

- Aldilimi, A. (2016)." nazariaat aliatisal fi alqarn alhadi waleishrina. "Amman, dar alyazurii lilnashr.

--Mikawi, H. (1998)." alaitisal wanazariaatuh almueasiratu. "Alqahira, Aldaar Almisriat allubnaniati, 258- 259.

- Aljawhari, M. (1992). "ealam aliajtimae wadirasat al'iielam waliatisali."al'iiskandiriata, dar almaerifat aljamieiati.

([1])Andrew Salway, “A Corpus-Based Analysis of Audio Description,” Media for All: Subtitling for the Deaf, Audio Description, and Sign Language, Series: Approaches to Translation Studies, vol. 30 (Amsterdam: John Benjamins Publishing Company, 2007), 151–174..

)2(Schmeidler, E., and C. Kirchner. "Adding Audio Description: Does It Make a Difference?" Journal of Visual Impairment & Blindness 95, no. 4 (2001): 197–212.

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.

([1])Andrew Salway, “A Corpus-Based Analysis of Audio Description,” Media for All: Subtitling for the Deaf, Audio Description, and Sign Language, Series: Approaches to Translation Studies, vol. 30 (Amsterdam: John Benjamins Publishing Company, 2007), 151–174.

([1] (https:/ WWW.Netflix.com/eg/ (2020).

([1])Andrew Salway, “A Corpus-Based Analysis of Audio Description,” Media for All: Subtitling for the Deaf, Audio Description, and Sign Language, Series: Approaches to Translation Studies, vol. 30 (Amsterdam: John Benjamins Publishing Company, 2007), 151–174.

([1](J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1](Francesca Bardini, "Audio Description Style and the Film Experience of Blind Spectators: Design of a Reception Study," Rivista Internazionale di Tecnica della Traduzione/International Journal of Translation 19 (2017): 49–73.

([1])Andrew Salway, “A Corpus-Based Analysis of Audio Description,” Media for All: Subtitling for the Deaf, Audio Description, and Sign Language, Series: Approaches to Translation Studies, vol. 30 (Amsterdam: John Benjamins Publishing Company, 2007), 151–174.

([1](Branje, C. J., and D. I. Fels. "LiveDescribe: Can Amateur Describers Create High-Quality Audio Description?" Journal of Visual Impairment & Blindness 106, no. 3 (2012): 154–165.

([1](Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Seeing Films Through Sound: Sound Design, Spatial Audio, and Accessibility for Visually Impaired Audiences." British Journal of Visual Impairment 40, no. 2 (2022): 117–144.

([1])Schmeidler, E., and C. Kirchner. "Adding Audio Description: Does It Make a Difference?" Journal of Visual Impairment & Blindness 95, no. 4 (2001): 197–212.

([1])Ferziger, N., Y. F. Dror, L. Gruber, S. Nahari, N. Goren, N. Neustadt-Noy, ..., and A. B. H. Erez. "Audio Description in the Theater: Assessment of Satisfaction and Quality of the Experience Among Individuals with Visual Impairment." British Journal of Visual Impairment 38, no. 3 (2020): 299–311.

([1])Zengin Temırbek uulu, Z., Ç. Sağın-Şimşek, and E. Antonova-Ünlü. "The Effect of Audio Description on Film Comprehension of Individuals with Visual Impairment: A Case Study in Turkey." British Journal of Visual Impairment (2021): 02646196211020058.

([1])Hättich, A., and M. Schweizer. "I Hear What You See: Effects of Audio Description Used in a Cinema on Immersion and Enjoyment in Blind and Visually Impaired People." British Journal of Visual Impairment 38, no. 3 (2020): 284–298.

([1])Schmeidler, E., and C. Kirchner. "Adding Audio Description: Does It Make a Difference?" Journal of Visual Impairment & Blindness 95, no. 4 (2001): 197–212.

([1])Walczak, Andrzej. "Audio Description on Smartphones: Making Cinema Accessible for Visually Impaired Audiences." Universal Access in the Information Society 17, no. 4 (2018): 833–840.

([1]) Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.

([1])Walczak, Andrzej, and Lorna Fryer. "Creative Description: The Impact of Audio Description Style on Presence in Visually Impaired Audiences." British Journal of Visual Impairment 35, no. 1 (2017): 6–17.

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.

([1])Branje, C. J., and D. I. Fels. "LiveDescribe: Can Amateur Describers Create High-Quality Audio Description?" Journal of Visual Impairment & Blindness 106, no. 3 (2012): 154–165.

([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.

([1]) Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.

([1])Francesca Bardini, "Audio Description Style and the Film Experience of Blind Spectators: Design of a Reception Study," Rivista Internazionale di Tecnica della Traduzione/International Journal of Translation 19 (2017): 49–73.

([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.

([1])Romero-Fresco, Pablo, and Lorna Fryer. "Could Audio-Described Films Benefit from Audio Introductions? An Audience Response Study." Journal of Visual Impairment & Blindness 107, no. 4 (2013): 287–295.