Decorative designs based on elements of the visual heritage of Assiut Governorate | ||
| International Design Journal | ||
| Article 41, Volume 15, Issue 3, May and June 2025, Pages 555-566 PDF (1.68 M) | ||
| Document Type: Original Article | ||
| DOI: 10.21608/idj.2025.367845.1285 | ||
| Author | ||
| Salwa Maher Ahmed zhran* | ||
| Faculty of Specific Education, Assiut University | ||
| Abstract | ||
| Decorative design is a type of flat design that aims to treat elements in a decorative manner that emphasizes their decorative and aesthetic value through their structural systems. The designer derives the elements he uses in his decorative designs from multiple sources, from which he draws inspiration and new ideas that suit his creative work. Among these sources is heritage. Heritage refers to the sum of the results of previous civilizations that are inherited from ancestors to descendants. It is the result of human experiences, desires, and conversations, whether in the fields of science, thought, language, or literature. Not only that, but it extends to include all material and emotional aspects of society, from philosophy, religion, art, architecture, folklore, and economic heritage as well. Art is a creative product that stems from human culture and is influenced by the surrounding environment, including social, political, geographical and historical circumstances. It is a vital necessity for humans to express their thoughts, emotions and beliefs. This expression is embodied through images, sculptures, architecture or various applied arts. This is what the artist has expressed in his artwork, which embodies a heritage that has continued and been immortalized across different eras. It is the best example for us of the creative advancement that the artist has achieved across these eras. | ||
| Keywords | ||
| designs; elements; heritage | ||
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| References | ||
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1- Amin Al-Quraiti (1984): The Concept of Authenticity between Abstraction and Imitation in the Content of Fine Art Creativity, published research, Studies and Research Journal, Helwan University, Volume 7, March Issue. 2- Thuraya Hamed Youssef (2000 AD): The complementary relationship between organic and geometric forms in abstract painting, Master’s thesis, Faculty of Art Education, Helwan University. 3- Faten Saad El-Din El-Fadaly (1991 AD): Combining materials on the surface of the image in the field of contemporary photography, Master’s thesis, Faculty of Art Education, Helwan University. 4- Fath Al-Bab Abdel Halim, Ahmed Hafez Rushdan (1984 AD): Design in Fine Arts, Alam Al-Kitab. 5- Muhammad Ali Al-Tahatouni (1961 AD): Al-Kashaf Encyclopedia, Terms of Arts and Sciences, Lebanon Library, Beirut. Hoda Zaki Al-Sayed (1997 AD): The experimental approach in modern photography and what it includes in terms of innovative and educational methods, PhD thesis, Faculty of Art Education, Helwan University | ||
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