دور التقنيات الرقمية في إنتاج الفوتوغرافيا المفاهيمية

أولاً المراجع العربیة:

1. إسماعیل، عز الدین، (1974) ى: الفن و الإنسان . بیروت – لبنان ، دار القلم ،ص 7.

Ismail, Izz al-Din, (1974) J: Art and Man. Beirut, Lebanon, Dar Al-Qalam, p.7.

1. أمهز محمود (1996م): " التیارات الفنیة المعاصرة "  ، ط1 ، شرکةالمطبوعات ، بیروت، ص 158 .

Amhaz Mahmood(1996): Contemporary Art Currents, I, Publishing Company, Beirut, p. 158.

1. الزهرانی ، عوضه حمدان(١٤٢٩ ه -١٤٢٨ه) : " ثقافة الصورة التشکیلیة المعاصرة، أبعاد فلسفیة وقیم مدرکة" ، رسالة ماجستیر فی التربیة الفنیة ، جامعة أم القرى ، کلیة التربیة ، قسم التربیة الفنیة ، المملکة العربیة السعودیة،  ص 116.  

Al-Zahrani, Awadah Hamdan(1429H-1428H) : "Contemporary Plastic Image Culture, Philosophical Dimensions and Recognized Values", Master of Arts Education, Umm Al-Qura University, College of Education, Department of Art Education, Saudi Arabia, p. 116.

1. رادیری، مالکم و ماکفارلن ،جمیس(1990): " الحداثة" ، ج 2 ،ت:مؤید حسن فوزی ،دار المأمون ، بغداد، ص 24

Pradieri, Malcolm & McFarlane, Jamis (1990): "Modernity", C2, T. Muayed Hassan Fawzi, Dar Al-Maamoon, Baghdad, p24. عطیة، محسن (2001)" : الفنان والجمهور "، دار الفکر العربی، القاهرة، ص 112  .

Attia, Mohsen (2001): "The Artist and the Public", Dar Al-Fikr Al-Arabi, Cairo, p. 112.                                                                                                                          

1. غنیم، عمر عبد الفتاح محمد (ابریل 2016 م) :" طبیعة الفنون الرقمیة وفلسفتها " نظرة جدلیة " ، المؤتـمر الدولى الثانى عشر لکلیة الفنون الجمیلة " الفن والاقتصاد " ، کلیة الفنون الجمیلة . جامعة المنیا ، ص 8.

Ghunaim, Omar Abdel Fattah Mohamed (April 2016): "The Nature and Philosophy of Digital Arts", "Twelfth International Conference of the Faculty of Fine Arts", Faculty of Fine Arts, Minia University, p. 8. کای، نک (1999) : " ما بعد الحداثة والفنون االدائیة "، تر: صلیحة نهاد، ط2 ، الهیئة المصریة العامة للکتاب ، ص 24  .

Kay, Nick (1999): "Postmodernism and the Performing Arts", by: Salihah Nihad, II, Egyptian General Book Authority, p. 24.

ثانیاً المراجع الأجنبیة:

Eilean Hooper , (2000) :" Greenhill, Museum and the Interpretation of Visual Culture", New York: Routledge), P. 150.

 Ernst Van Alphen, ( Spring-Autumn 2008): "Affective Operations of Art and Literature", Res: Anthropology and Aesthetics, P. 30.

Geoffrey, Batchen, (2002):  Each Wild Idea: Writing, Photography, History. Cambridge: The MIT Press, P. 3.

John, Roberts,( 1997): "Photography, Iconophobia and the Ruins of Conceptual Art," The Impossible Document: Photography and Conceptual Art in Britain 1966-76 (London: Camerawork), P. 9.

Lerner, Jillian(2014) :“The Drowned Inventor: Bayard, Daguerre, and the Curious Attractions of Early Photography”, History of Photography 38(3), P.  218.

Lewitt,(1789): “Paragraphs on Conceptual Art”, Artforum , P. 80.

Lucy, Lippard & John, Chandler(February 1968): "The Dematerialization of Art," Art International Vol. 12, no. 2, PP.31- 36.

Lucy, Lippard(1973):"The Dematerialization of the Art Object", New York: Praeger,

Mare, Mare, (1970), :" Color Photography ", Middlesex , Penguin Books Ltd, P. 19.

Roland Barthes(1981):" Camera Lucida", New York City, NY: Farrar, Straus and Giroux, P. 47 .

Stephen, Petersen (2000): "From Matter to Light: Fontana's ‘Spatial Concepts’ and Experimental Photography", Art on Paper 4 (4), P. 52.

Wall, Jeff (2012): “Conceptual, Postconceptual, Nonconceptual: Photography and the Depictive Arts”, Critical Inquiry 38(4), P. 700.

Wall, Jeff (2007): Selected Essays and Interviews, New York: Museum of Modern Art, 40.

Wall, Jeff (1995): "Marks of Indifference’: Aspects of Photography in, or as, Conceptual Art", Reconsidering the Object of Art, P. 250&P. 259.

Wollen , Peter (Spring 1976): "Ontology’ and ‘Materialism’ in Film", Screen.

 

ثالثاً: المواقع الإلکترونیة: 

http://physique1422.blogspot.com/2014/04/blog-post.html664(Date of view:12- 1-2019)

http://aeop1.com/pages/composition/Compos29.html     (Date of view:15- 1-2019)

http://syrbook.gov.sy/index.php?ACT=1&Mid=5&Sid=5&id=767&Mod=2        (Date of view:17- 1-2019)

http://www.khiyam.com/news/article.php?articleID=9251 (Date of view:12- 1-2019)

http://salasqh.blogspot.com/2011/11/blog-post.html  (Date of view:10- 1-2019)

https://www.albayan.ae/paths/art/2012-11-25-1.1772835 (Date of view:10- 1-2019)

 https://www.almrsal.com/post/728180: ISSN 1726-6807    (Date of view:19- 1-2019)

http://www.iugaza.edu.ps/ar/periodical  (Date of view:15- 1-2019)

http://avb.s-oman.net/showthread.php?t=1707628  (Date of view:12- 1-2019)

https://emeraldiris.deviantart.com/art/deceptivelyyours-116458586  (Date of view:20- 1-2019)

https://plato.stanford.edu/archives/spr2015/entries/conceptual-art/  (Date of view:20 - 1-2019)

http://www.interviewmagazine.com/art/john-baldessari  (Date of view:15-1-2019)

https://artinarabic.com  (Date of view:11- 1-2019)

https://www.google.com/search?q=%  (Date of view:13- 1-2019)

http://www.100photos.time.com  (Date of view:13- 1-2019)

https://www.fotoartbook.com/?p=55689  (Date of view:9- 1-2019)

https://en.wikipedia.org/wiki/Lori_Nix  (Date of view:9- 1-2019)

https://en.wikipedia.org/wiki/Julie_Blackmon  (Date of view:9- 1-2019)