رواش, . (2020). أضواء على مُصليات عامة الشعب. test, 21(1), 243-275. doi: 10.21608/jguaa.2019.15396.1053
هيام رواش. "أضواء على مُصليات عامة الشعب". test, 21, 1, 2020, 243-275. doi: 10.21608/jguaa.2019.15396.1053
رواش, . (2020). 'أضواء على مُصليات عامة الشعب', test, 21(1), pp. 243-275. doi: 10.21608/jguaa.2019.15396.1053
رواش, . أضواء على مُصليات عامة الشعب. test, 2020; 21(1): 243-275. doi: 10.21608/jguaa.2019.15396.1053

أضواء على مُصليات عامة الشعب

مجلة الإتحاد العام للآثاريين العرب
Article 7, Volume 21, Issue 1, 2020, Pages 243-275    PDF (1.6 M)
Document Type: المقالة الأصلية
DOI: 10.21608/jguaa.2019.15396.1053
Author
هيام رواش*
کلية الاثار جامعة القاهرة (مصر)
Abstract
لعب العامة دوراً هاماً فى العقيدة فى مصر القديمة و بصفة خاصة من خلال ما عُرف بإسم "العبادة الشعبية" و "التقوى الشخصية" ، والتى انتشرت بشکل کبير منذ عصر الدولة الحديثة فصاعداً.
ومن اهم الأماکن التى مارس فيها عامة الشعب عباداتهم مجموعة من المقاصير التى عُرفت فى اللغة المصرية القديمة بإسم الخنو "xnw" ، والتى يُعتقد انها ظهرت منذ عصر الدولة الحديثة. وهى عبارة عن مقاصير صغيرة أقُيمت فى الشوارع والحارات فى القرى والمدن و إستخدمها عامة الشعب فى عبادتهم وإقامة شعائرهم وکانت الخنو ذات تخطيط بسيط جداً ، ويوضع بداخلها تمثال صغير او لوحة بصورة المعبود يتوجه اليها العامة بالعبادة وتقديم القرابين. ومن امثلة الخنو التى عرفنها من خلال النصوص او الحفائر:
*خنو الملک رمسيس الثانى.
*خنو بتاح.
*خنو امون رع.
*خنو قسرتى.
*خنو حور ام آخت.
Keywords
خنو; قرابين; عبادة شعبية; عامة الشعب; تقوى شخصية
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