| 1. | THE REPETITIVE PHILOSOPHY OF ABSTRACTION IN NUBIAN FOLKLORE AND ITS ROLE IN ROOTING THE DESIGN IDENTITY | |
| Pages 1-5 | ||
| Amani Hamdy Fahim SANAD | ||
| 2. | THE ROLE OF DESIGN IN MAXIMIZING THE BENEFIT OF THE OPTICAL ILLUSION ART IN THE FIELD OF INTERIOR DESIGN | |
| Pages 6-8 | ||
| Dalia Fouad Mahmoud ATTIA | ||
| 3. | THE USE OF OPTICAL ILLUSIONS DESIGNS IN THE WORK OF TWILL TEXTURED STRUCTURES WITH COLOR SCHEMES AND IMPLEMENTATION SUITABLE FOR THE EGYPTIAN HERITAGE | |
| Pages 9-14 | ||
| Tariq Ahmed Mahmoud Abdullah RASHID | ||
| 4. | TRADITIONAL INDUSTRIES TO CONFIRM THE IDENTITY OF THE SOURCE PRINT ONE-PIECE DESIGN FOR LADIES CLOTHING | |
| Pages 15-22 | ||
| Nour Mohamed Ibrahim YASSIN | ||
| 5. | USE THE PARAMETRIC DESIGN TECHNIQUES AS A SOURCE OF CREATIVITY TO ACCESS DESIGN TREATMENTS FOR THE ARCHITECTURAL SPACES USING PRINTED TEXTILE HANGINGS | |
| Pages 23-26 | ||
| Abeer Farouk IBRAHIM; Raed Rushdie YAQIM | ||
| 6. | The role of science fiction films in the animation arts | |
| Pages 27-45 | ||
| Nermin Hamdy Abdel Harith Abdel Hamid | ||
