| 1. | Issue Cover | |
| 2. | Journal of the Faculty of Arts: Broad Horizons for Human Creativity | |
| 3. | Table of Contents | |
| 4. | The Dialectics of Modernity and Tradition: Eliot and Adorno on Individualism and the Differentiation of Spheres | |
| Pages 1-35 | ||
| Amr Amin Elsherif | ||
| 5. | Preface as a Paratext in Charles Dickens's David Copperfield: A Pragmatic Study | |
| Pages 36-62 | ||
| Iman Ra'ouf Muhammad | ||
| 6. | A Foucauldian Reading of Fathia al-Assal's The Women's Prison | |
| Pages 63-91 | ||
| Mahmoud El Bagoury; Galal Mohamed Naguib | ||
| 7. | Les Cordes du Langage: Réflexions sur la Créaction Poétique dans « Raturer Outre » d'Yves Bonnefoy | |
| Pages 92-146 | ||
| Amgad El-Zarif Atta | ||
| 8. | Discours sur les Rapports de Force dans Ce Vain Combat que tu Livres au Monde de F. Laroui | |
| Pages 147-174 | ||
| Racha Mohamed Mahmoud | ||
| 9. | Socio-Economic Role of the Site Museums for Visitors and Local Communities An Applied Study on Memphis Site Museum (Mit Rahina) | |
| Pages 175-214 | ||
| Fatma Ahmed Soliman | ||
| 10. | List of Reviewers | |
| Pages 215-215 | ||
| 11. | (Issue No. 20, Part No. 3 (Complete Edition | |
