| 1. | Using Fabric Manipulation as an Important Aspect of Zero Waste Fashion Implementing Fashion Sustainability | |
| Pages 1-37 | ||
| Noha Fawzy Abdel Wahab | ||
| 2. | The spirituality of the aesthetics of receiving the cultural heritage "The Folk Tanoura Dance in Egypt" | |
| Pages 38-61 | ||
| Zainab Sabra; Eman Mohammed Abdo Al-Moaz | ||
| 3. | Investigation of Consumers’ Emotional Response towards Islamic Design Patterns | |
| Pages 62-78 | ||
| Islam Gharib | ||
| 4. | The Role of Design Strategies in the Development of Ceramic SMEs in Egypt | |
| Pages 79-100 | ||
| Marwa Zakrya Mouhammed Ali | ||
| 5. | The arts of traditional costumes and their complements with the "Halayeb, Shalateen and Abu Ramad" triangle Red Sea Governorate | |
| Pages 101-121 | ||
| Zainab Sabra | ||
| 6. | Weaving Diverse Designs of Cells Under the Microscope Using Cardboard Loom to Produce Collage-Style Fabric on Mannequin | |
| Pages 122-148 | ||
| Nahla Ahmed Eldeeb | ||
