1.

FOREWORD

Pages 1-3
Nadia El Kholy
2.

The Dramatic Structure of Niyi Osundare's Waiting Laughters

Pages 4-20
Amani Wagih
3.

Split Consciousness and the Poetics of Inauthenticity: Reading Anatole Broyard’s Kafka Was the Rage

Pages 21-41
Amr Elsherif
4.

An Integrative Multimodal Analysis of the Examiner-Examinee Interaction in the IELTS Speaking Examination

Pages 42-64
Hanaa Shaarawy
5.

Metadrama and the Deconstruction of Stereotypes: David Henry Hwang's M. Butterfly and Bondage

Pages 65-85
Haris Noureldin
6.

Gender Identity Construction in Facebook Statuses of Egyptian Young Adults

Pages 86-111
Ingy Emara
7.

Nationalism as Dystopia: A Reading of Sam Shepard’s The God of Hell

Pages 112-123
Ingy Mohamed
8.

Betrayal, Division, and the Ideology of Revolution in Arundhati Roy's The God of Small Things and Neel Mukherjee's The Lives of Others

Pages 124-142
Maha Sallam
9.

Mad Women Who Run in the House: The Malestream Politics of Representation

Pages 143-158
Nariman Eid
10.

The Language of Ideology: Going ‘Beyond’ in Doha Assy’s 104 Cairo

Pages 159-174
Nermin Gomaa
11.

Identity and Post-Colonial Discourse: Gene Luen Yang’s American Born Chinese

Pages 175-199
Rasha El Gohary
12.

Good Tidings: Egypt’s Election Hit and the Multicultural Politics of Populist Nationalism*

Pages 200-218
Riham Debian
13.

Ideologically-Induced Understatement in English/Arabic News Translation: A Critical Discourse Analysis – Socionarrative Approach

Pages 219-235
Sama Salman
14.

Painting in Poetry: A Stylistic Analysis of Ekphrastic Poems on Pieter Brueghel’s Hunters in the Snow1

Pages 236-259
Sameh Hassan
15.

Language as a Means of Power: A Comparative Study of Harold Pinter’s No Man’s Land and Alfred Farag’s Ali Janah al-Tabrizi and His Servant Quffa

Pages 260-283
Usama Raslan
16.

Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”

Pages 284-298
Yasser Aman