| 1. | Glimpses of science fiction theatre in G. B. Shaw’s Farfetched Fables (1950) | |
| Pages 1-13 | ||
| Ghada Elsayed Zaghloul Ali | ||
| 2. | The manifestations of cyberculture in theatre: A posthuman reading of Sarah Ruhl’s Dead Man’s Cell Phone | |
| Pages 14-30 | ||
| Shaimaa Elsayed Mohammed Mowafi | ||
| 3. | Cyberfeminism in Egypt: A computer-mediated discourse analysis | |
| Pages 31-55 | ||
| Mai Mowafy | ||
| 4. | Fuga e ritorno ne La casa in collina di Cesare Pavese | |
| Pages 56-64 | ||
| Mohamed Farag Mohamed Mahmoud | ||
| 5. | 现代汉语名词谓语句研究综述 | |
| Pages 65-76 | ||
| 杨 璐泽 | ||
| 6. | ISSUE INFO | |
